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Marlowe’s sacred city and the walls in The Jew of Malta

Bibliographic Data

ID21473508
AuthorsJaecheol Kim (0000-0001-6058-0797, Yonsei University, Republic of Korea, corresponding author)
Year2020
Volume101
Issue1
Pages26-44
Publication date2020-04-01
Open AccessYes
TypeARTICLE
VenueCahiers Élisabéthains A Journal of English Renaissance Studies (JOURNAL)
Journal identifiersISSN: 0184-7678 • E-ISSN: 2054-4715
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0184767819897367
OpenAlexW3002507429
LanguageEN

This essay surveys the juridical and biopolitical significance of the city walls in Christopher Marlowe’s The Jew of Malta. Early modern cities were designed to control the spread of diseases, and the city space embodied discipline and governmentality. The function of Malta’s walls is to protect the corpus politicum against pathogens, marking the distinction between physis and nomos. Marlowe defines this function by representing lives without: the national body is conceived as a living organism threatened by alien bodies. In the play’s medicinal rhetoric, pathogenic infiltrations of Turks and Catholics are destroyed by another invasive body, a Jew

Aesthetics · Alien · Art · Biopower · Embodied cognition · Environmental ethics · Epistemology · Governmentality · Linguistics · Literature · Michel foucault · Political science · Politics · Rhetoric · Sociology · History · History of Medicine Studies · Islamic Studies and History · Law · Ottoman and Turkish Studies · Philosophy

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