Mythological Burlesque, Parody, and Literary Games, from Epicharmus to Aristophanes
Bibliographic Data
| ID | 21481392 |
|---|---|
| Authors | Ioannis M Konstantakos (0000-0002-4752-3533, corresponding author) |
| Year | 2024 |
| Issue | 41 |
| Pages | 17-32 |
| Publication date | 2024-03-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Veleia (JOURNAL) |
| Journal identifiers | ISSN: 0213-2095 • E-ISSN: 2444-3565 |
| Publisher | EHU Press (PUBLISHER) |
| DOI | 10.1387/veleia.24885 |
| OpenAlex | W4392518835 |
| Language | EN |
| Citations received | 1 |
| References cited | 6 |
The literary history of mythological comedy, from Epicharmus, the inventor of the genre, to the Attic dramatists, is permeated by intertextual relations and cross-references between individual authors. Cratinus took over the Epicharmean form of myth burlesque and combined it with political satire of Athenian public life. Cratinus’ mythical plays owe to Epicharmus a number of comic themes and dramaturgical patterns: the portrayal of the cannibalistic Cyclops as a gourmet, the games of disguise and role-playing, the sophisticated meta-literary exploitation of the epic tradition and of the spectators’ Homeric knowledge. Aristophanes avoided full-scale myth burlesque in his acme, but he included individual vignettes of mythical parody in his complex polyphonic plots. The scene of the three gods’ embassy at the finale of the Birds employs all the typical techniques of mythological comedy
Art · Burlesque · Literature · Mythology · Shakespeare, Adaptation, and Literary Criticism
| Citations per year | 1 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |