Serena Williams and (the perception of) violence

Intersectionality, the Performance of Blackness, and Women's Professional Tennis

Datos Bibliográficos

ID2148148
AutoresKristi Tredway (0000-0003-3370-1367, Department of Sociology, St. Mary’s College of Maryland, St. Mary’s City, Maryland, USA, autor de correspondencia)
Año2020
Volumen43
Número9
Páginas1563-1580
Fecha de publicación2020-07-14
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaEthnic and Racial Studies (JOURNAL)
Identificadores de la revistaISSN: 0141-9870 • E-ISSN: 1466-4356
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01419870.2019.1648846
OpenAlexW2967459481
IdiomaEN
Citas recibidas13
Referencias citadas17

Serena Williams is the most accomplished tennis player in the open era of professional tennis. She is also a Black woman which figures prominently in how she is (mis)understood in tennis. Using intersectionality as an interpretive framework, we aim to show how Serena fits within the social structure of tennis which was created within the white, upper-class social milieu. Within the lineage from this historic milieu, Serena is sometimes perceived to be violent; however, that perception highlights the ways in which Serena is positioned differently in this setting than her counterparts. Her outbursts are not more egregious than those of other players; however, Serena's performance of blackness disrupts the expected tennis imaginary and attaches to her the extra imaginings of those features attached to blackness such as urban mannerisms, lack of respect for authority, and violence, which unjustly add extra weight for Serena to bear

Aesthetics · Art · Intersectionality · Perception · Psychoanalysis · Sociology · The Imaginary · White (mutation · Gender Studies · Gender, Feminism, and Media · Psychology · Sport and Mega-Event Impacts · Sports, Gender, and Society