Colour
Bibliographic Data
| ID | 21485319 |
|---|---|
| Authors | Charlotte Ribeyrol (0000-0003-0398-6410, Sorbonne Université, corresponding author) |
| Year | 2024 |
| Volume | 100 Automne |
| Publication date | 2024-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cahiers victoriens et édouardiens (JOURNAL) |
| Journal identifiers | ISSN: 0220-5610 • E-ISSN: 2271-6149 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/132r0 |
| OpenAlex | W4406315149 |
| Language | EN |
| References cited | 5 |
Colour is probably not the first word that springs to mind in relation to the Victorian age. Queen Victoria’s reign is more often remembered through the bleak filter of coal pollution and working-class slums reflected in the dark tones of the films, T.V. series, and even video-games set in that period, from Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street (2007) to the more recent Penny Dreadful (2014‒16).Our distorted view is partly due to the Victorians themselves. The fact that
| Highly cited | No |
|---|