The Writer's Library as a Response to Nazi Ideology During the Second World War
Bibliographic Data
| ID | 21486571 |
|---|---|
| Authors | Atinati Mamatsashvili (0000-0003-1743-6313, Ilia State University, corresponding author) |
| Year | 2024 |
| Volume | 42 |
| Issue | 1 |
| Pages | 73-93 |
| Publication date | 2024-12-13 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Annales Universitatis Mariae Curie-Skłodowska sectio FF – Philologiae (JOURNAL) |
| Journal identifiers | ISSN: 0239-426X • E-ISSN: 2449-853X |
| Publisher | Maria Curie-Sklodowska University (PUBLISHER) |
| DOI | 10.17951/ff.2024.42.1.73-93 |
| OpenAlex | W4406335792 |
| Language | EN |
In the Fantasia of the Library, Michel Foucault posits that the library represents a place where knowledge and dreams converge. In this context, it seems appropriate to conceptualise the writer’s library as a “network”, specifically an “open network”, which is subject to constant transformation and linked to other libraries. The present study will focus on two Belgian writers: Paul Willems (1912–1997) and Max Servais (1904–1990). It will examine the extent to which the imaginary library constructed through reading, quotations or pictorial references creates this other space of non-resignation in the specific historical context of the Second World War. This reflection is an attempt to introduce another hermeneutic level that sets up the library as a response to Nazi ideology
Art · German · Ideology · Library science · Linguistics · Literature · National library · Nazism · Political science · Politics · Psychoanalysis · Sociology · The Imaginary · World War II · Computer Science · French Literature and Criticism · History · Law · Philosophy · Psychology
| Highly cited | No |
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