A postcolonial reading of the early life of Sara Baartman and the Samaritan Woman in John 4
Bibliographic Data
| ID | 21492865 |
|---|---|
| Authors | Dewald E Jacobs (0000-0003-0151-8269, Stellenbosch University, corresponding author) |
| Year | 2024 |
| Volume | 80 |
| Issue | 1 |
| Publication date | 2024-03-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | HTS Teologiese Studies / Theological Studies (JOURNAL) |
| Journal identifiers | ISSN: 0259-9422 • E-ISSN: 2072-8050 |
| Publisher | AOSIS (PUBLISHER • ZA) |
| DOI | 10.4102/hts.v80i2.9095 |
| OpenAlex | W4393342291 |
| Language | EN |
| Citations received | 2 |
| References cited | 33 |
When Jesus meets the Samaritan Woman at Jacob’s well in John 4, it is a meeting between two colonial subjects in the Roman Empire. In this encounter we find the Samaritan Woman as a triply marginalised body, a woman subject to multiple, intersecting forms of oppression within her patriarchal context. Identified as a Samaritan Woman, Jewish rabbis regarded her as unclean, impure, and being menstruous from birth. It can also be deduced that she is an outcast in her own society because she comes to draw from the well at noon, the hottest part of the day when people did not usually fetch water. This Samaritan Woman is nameless, landless and powerless in an imperial, colonial and patriarchal context. The poem of Diana Ferrus, I’ve come to take you home, in memory of Sarah Baartman, highlights how Baartman was dehumanised and treated as a sexual object by European colonisers. Through a postcolonial reading of John 4, I consider the intersections between the Samaritan Woman and the early life of Sara Baartman in their respective colonial contexts and invite the reader, as the poem invites Baartman, to come home to Africa and resist Western European imperial and colonial patterns and tendencies. Contribution: This article has interdisciplinary implications. This is an interdisciplinary study in the sense that it offers a biblical interpretation of John 4 that is informed by the life of Sara Baartman that has been uncovered through anthropology, history and sociology. It is also integrating the field of postcolonial biblical hermeneutics with the theory of intersectionality
Art · Linguistics · Literature · Psychoanalysis · Sociology · Biblical Studies and Interpretation · Contemporary Christian Leadership and Education · History · Pentecostalism and Christianity Studies · Philosophy · Psychology
The Postcolonial Biblical Reader
Sara Baartman and the Hottentot Venus
Boleo
Debriefing hermeneutics for a balanced reading of the biblical text
Rhetorical and Postcolonial Readings of John 4 and 8
“And the word became . . . gossip?” Unhinging the Samaritan woman in the age of #MeToo
A Postcolonial Examination of Matthew 16
Demarginalizing the Intersection of Race and Sex
‘Because of the Woman's Testimony …’
Lipreading
Dancing with Jesus as the incarnate male ‘missionary’ conversant
Searching for the Lost Needle
Sara Baartman and the Hottentot Venus
Disempowered to Consent
Aka
Race and Erasure
Mapping the Margins
Re-Thinking Intersectionality
The Two Lives of Sara Baartman
Which Bodies Matter
| Unique citing works | 2 |
|---|---|
| Citations per year | 2 |
| Citation span | 2025 - 2026 (2) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |