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The Eurospy boom and the evolution of Europe’s transnational identity

Bibliographic Data

ID21502186
AuthorsRui Lopes (0000-0002-8894-9733, Schlumberger (Ireland), corresponding author)
Year2022
Volume37
Issue4
Pages581-592
Publication date2022-06-07
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueIntelligence & National Security (JOURNAL)
Journal identifiersISSN: 0268-4527 • E-ISSN: 1743-9019
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/02684527.2022.2065608
OpenAlexW4224220740
LanguageEN
References cited13

This article discusses the role of the fictionalization of intelligence in the history of European transnationalism. It focuses on the boom of spy films co-produced in continental Europe in the 1960s, examining how their materialization implied large-scale transnational processes of production and distribution. It argues that, although this dimension shaped the films’ form and content, their plots continued to reproduce and reify notions of raison d’état, national security, and geopolitics. Yet, while cinema enacted enduring tensions between national and transnational identities, it framed such tensions as a displaced fantasy, thus conciliating them with the evolving political imagination of European integration

Aesthetics · Art · Art history · Boom · Economic geography · Fantasy · Geography · Geopolitics · Literature · Movie theater · National identity · Political economy · Political science · Politics · Sociology · Transnationalism · Communism, Protests, Social Movements · Engineering · European history and politics · French Historical and Cultural Studies · Gender Studies · History · Law

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Citation velocityhistorical
Highly citedNo

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