“To guard this Paradise from any second violation”
Ysabinda and the Eastern female body as contested territory in Dryden’s Amboyna (1673)
Bibliographic Data
| ID | 21508127 |
|---|---|
| Authors | Mathilde Alazraki (0009-0001-1024-7424, Centre National de la Recherche Scientifique, corresponding author) |
| Year | 2022 |
| Volume | 79 |
| Publication date | 2022-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | XVII-XVIII (JOURNAL) |
| Journal identifiers | ISSN: 0291-3798 • E-ISSN: 2117-590X |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/1718.10378 |
| OpenAlex | W4313391003 |
| Language | EN |
| References cited | 15 |
This article focuses on John Dryden’s 1673 play Amboyna, or the Cruelties of the Dutch to the English Merchants, and more particularly on the figure of Ysabinda, and the island she represents, as contested territory. This article demonstrates that Ysabinda’s relationship with her English fiancé Towerson comes to politically stand for the fantasized absorption of the Spice Islands into Britain’s imperial project. Through a rhetoric of trade and ownership, Dryden stages Ysabinda’s commodification and ultimate rape as a way to fuel anti-Dutch sentiment while at the same time justifying Britain’s colonial practices. However, this literary endeavor is only sustainable through the erasure of the ruling power around the Indian Ocean at the time, the Mughal Empire, as well as through the distortion of the real-life figure behind Ysabinda’s character: the Armenian Indian Mariam Khan
Ancient history · Archaeology · Art · Art history · Colonialism · Empire · Literature · Paradise · Rhetoric · Sociology · Asian Studies and History · Global Maritime and Colonial Histories · History · Philippine History and Culture · Philosophy
| Highly cited | No |
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