The Electric Pleasure District

This study examines the cultural work of the West End of London in the long Edwardian period (1880–1914). It argues that the pleasure district was changed in a number of ways in which electricity was one thread. The coming of electricity affected the character of the area, not only transforming theatre lighting but also introducing new forms of street advertising, notably on Piccadilly Circus. The West End was physically changed by the construction of Shaftesbury Avenue and Charing Cross, which then became sites of a wave of theatre building (all of which showed off their modernity by adopting electricity). These theatres, especially the Palace Theatre of Varieties, are examined in terms of the entertainments they offered but also the ways in which they produced forms of cultural capital for spectators. Finally, the study considers another electric medium, the cinema. The West End became known for upscale cinemas that emulated the theatres nearby and sought to make film-going attractive to wealthier customers who, a few years earlier, disdained it. By 1914, the West End had, to a large extent, taken on its modern form

Aesthetics · Art · Art history · Electrical engineering · Electricity · Modernity · Movie theater · Pleasure · Political science · Visual arts · Cinema and Media Studies · Engineering · Historical Art and Culture Studies · History · Psychology · Shakespeare, Adaptation, and Literary Criticism

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