Capital Entertainment
The London Pantomimes of Nelson Lee, c .1830–1870
Bibliographic Data
| ID | 21512480 |
|---|---|
| Authors | Stephen Ridgwell (0000-0002-2931-8309, University of London, corresponding author) |
| Year | 2025 |
| Pages | 1-21 |
| Publication date | 2025-11-10 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The London Journal (JOURNAL) |
| Journal identifiers | ISSN: 0305-8034 • E-ISSN: 1749-6322 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/03058034.2025.2563485 |
| OpenAlex | W4416075790 |
| Language | EN |
Throughout the nineteenth century, pantomimes were a much-loved source of winter amusement in London. Capable of generating large amounts of revenue, they also played a major role in the capital’s theatrical economy. From the most fashionable West End houses to the less prestigious neighbourhood establishments, pantomimes were a colourful highlight of the festive season. Over the course of four decades, from the last years of the Regency to the mid-Victorian, no-one wrote more pantomimes for Londoners than Nelson Lee: a showman turned actor and theatre manager who defined the period’s spirit of bustling commercial enterprise. Deeply implicated in the moment of their creation, pantomimes were simultaneously critique, celebration, and reflection of their time and place. To have an appreciation of Lee’s remarkable work in this field is thus to better understand the society (and city) that produced and consumed it
Capital formation · Historical Architecture and Urbanism · Spatial and Cultural Studies · Theater, Performance, and Music History
| Highly cited | No |
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