Jules Vallès’s L’Insurgé and the Narrative of Popular Revolt

In this article, I look at Jules Vallès’s L’Insurgé to argue that its narrative style performs the politics of anonymity at the heart of the Paris Commune. To do this, I analyse three key elements of the novel – its autofictionality, its fragmentation and its ubiquitous present tense. By rejecting the exemplarity inherent in autobiography, this autofiction avant la lettre implies that the I of the narrator Jacques Vingtras, himself a stand-in for the author Jules Vallès, can be substituted with any other I. In the ‘révolution anonyme’ of 1871, there can be no leader; in its narrative, the central character is replaceable. The fragmentary writing further resists the unity of nineteenth-century novels to draw portraits of various actors of revolt; centralised revolution is abandoned in favour of communal politics. Finally, the narration in the present tense creates a sense of immediacy which rejects the glorification of the revolutionary past, and instead underscores the Paris Commune’s new politics in the making. The novel is thus enacting the ‘grande fédération des douleurs’ to which it is dedicated

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