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Fifty Years of Disability Arts in Canadian Theatre Review

Bibliographic Data

ID21523073
AuthorsMatthew Tomkinson (corresponding author)
Year2024
Volume199-200
Pages40-50
Publication date2024-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Theatre Review (JOURNAL)
Journal identifiersISSN: 0315-0836 • E-ISSN: 1920-941X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/ctr.200.006
OpenAlexW4404906805
LanguageEN
References cited56

This article surveys fifty years of writing about disability arts within the Canadian Theatre Review, including the theoretical traditions that inform the journal’s development, and the communities it has called on and, in turn, directly impacted since its inception. From manifestos to scripts, alongside meditations, festival reviews, production histories, interviews, and close analysis of theatrical case studies, the journal’s contributions to disability scholarship have taken a number of forward-thinking forms over the years. Researchers working both within and alongside this field have proposed a number of discursive, political, and aesthetic strategies for greater inclusion, building on insights from other disciplines and thereby forming new intersections of criticism and activism. This article attends to some of these intersections, situating articles within specific lineages of thought and developing a provisional overview of their key concerns

Aesthetics · Art · Art history · Performance art · Sociology · Visual arts · Artistic and Creative Research · Diversity and Impact of Dance · History · Theatre and Performance Studies

  • Pandemic Forum

    Marjorie Chan, Marjorie A Chan et al.•Canadian Theatre Review•2021

  • Redressing the Social Model of Disability

    Megan A Johnson•Canadian Theatre Review•2023

  • Performing the Lived Experience of Dementia

    Julia Henderson, Colleen Reid et al.•Canadian Theatre Review•2022

  • Creative Enabling

    Becky Gold, Alex Bulmer•Canadian Theatre Review•2022

  • Disability Theatre in Canada

    Jenn Boulay•Canadian Theatre Review•2022

  • Making a CoMotion

    Ric Knowles•Canadian Theatre Review•2023

  • A Generous Incantation

    Kelsie Acton•Canadian Theatre Review•2023

  • Augmented Reality ASL for 11

    Ian Garrett, Tsholo Visions Khalema et al.•Canadian Theatre Review•2022

  • Clowning but Not

    Sue Proctor•Canadian Theatre Review•2020

  • Crip, Arts

    seeley quest•Canadian Theatre Review•2022

  • Embracing the Distance

    José Miguel Esteban•Canadian Theatre Review•2022

  • Alternate Reality Gaming

    SK Sabada•Canadian Theatre Review•2022

  • A Catalyst for Rethinking and Rescripting Understanding of Disabled Performances

    Dre Ah•Canadian Theatre Review•2022

  • Tell Us When You’re Uncomfortable

    Marion Erickson, Lisa Striegler et al.•Canadian Theatre Review•2023

  • Radical Mentorship and More

    Nikki Shaffeeullah•Canadian Theatre Review•2020

  • Developmentally, Cognitively, and Intellectually Disabled People Are Artists, Not Pet Projects

    Riki Entz•Canadian Theatre Review•2022

  • Interview with Natasha Bacchus, aka Courage (ASL-English Transcript)

    Ash McAskill, Natasha Bacchus et al.•Canadian Theatre Review•2022

  • Pursuing Universal Accessibility for Everyone

    Jody H Cripps, Pamela E Witcher et al.•Canadian Theatre Review•2022

  • Queering the Crip or Cripping the Queer

    Carrie Sandahl•GLQ A Journal of Lesbian and Gay…•2003

Citation velocityhistorical
Highly citedNo

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