Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Intertextuality in The Two Noble Kinsmen

Bibliographic Data

ID21536154
AuthorsAna Andrejević (0000-0003-1789-2490), Snežana Zečević (0000-0001-7151-1367)
Year2023
Volume53
Issue1
Pages73-92
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueZbornik radova Filozofskog fakulteta u Pristini (JOURNAL)
Journal identifiersISSN: 0354-3293 • E-ISSN: 2217-8082
PublisherCentre for Evaluation in Education and Science (CEON/CEES) (PUBLISHER)
DOI10.5937/zrffp53-42351
OpenAlexW4366728581
LanguageEN
References cited5

The central plot of Fletcher and Shakespeare's play The Two Noble Kinsmen derives from Chaucer's The Knight's Tale, so it could be interpreted through the theory of intertextuality and transtextuality. The prototext of these literary works is identical, but it has been modified over the centuries. It has changed from a mythological story into a universal symbol of love, friendship, authority, honor, and death. Apart from the permutation of texts by different authors, The Two Noble Kinsmen is also a curious collection of Shakespeare's earlier works, despite the frequent contestation of his contribution to this play. Such self-citation is an interesting phenomenon, especially if we consider the fact that this play is Shakespeare's last work and not The Tempest, as traditionally stated in literary histories. Therefore, this paper aims to determine the similarities and differences between Chaucer's famous story and Fletcher and Shakespeare's play, to point out the degree of intertextuality in it, and to highlight the original dramatic episodes and characters, their function, meaning, and significance. With the assumption that Fletcher and Shakespeare intentionally and purposefully chose the mode of adaptation and transformation of the famous Chaucer's text, the obtained results indicate that certain elements were modified due to the requirements of the dramatic form and its theatrical function, but also for commercial and socio-political reasons. The transposition of the well-known ancient story into Renaissance England, with new episodes and characters in the subplot, offers a different and somewhat subversive picture of conventional social norms and relations

Alchemy · Art · Epistemology · Honor · Intertextuality · Linguistics · Literature · Mythology · Tempest · History · Language, Metaphor, and Cognition · Medieval Literature and History · Philosophy · Shakespeare, Adaptation, and Literary Criticism

  • "Is This Winning?"

    Peter C Herman•South Atlantic Review•1997

Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae