New Sound in the New Sound
Bibliographic Data
| ID | 21536675 |
|---|---|
| Authors | Mirjana Veselinović-Hofman (University of Arts in Belgrade, corresponding author) |
| Year | 2022 |
| Issue | 60-2 |
| Pages | 1-9 |
| Publication date | 2022-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New Sound (JOURNAL) |
| Journal identifiers | ISSN: 0354-818X • E-ISSN: 1821-3782 |
| Publisher | Centre for Evaluation in Education and Science (CEON/CEES) (PUBLISHER) |
| DOI | 10.5937/newso2260001v |
| OpenAlex | W4387987928 |
| Language | EN |
| References cited | 2 |
In this text, written to mark the 30th anniversary of the establishment of the New Sound International Journal of Music, I discuss two concepts/terms that have exerted a formative influence on its physiognomy. Those concepts are new sound and (the) international, whose meanings have crystallised in the Journal in line with their intersections with categories that are respectively related to them. The basis of those intersections is identified in the globalising context of transcending borders
Acoustics · Archaeology · Formative assessment · Linguistics · Pedagogy · Physiognomy · Sociology · Anthropology · Diverse Musicological Studies · History · Mathematics · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |