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S is for singing, scene, Serbia

Tendencies in the world of 21st century (post)opera

Bibliographic Data

ID21536699
AuthorsJelena Novak (0000-0003-0778-3565, corresponding author)
Year2023
Issue62-2
Pages13-36
Publication date2023-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew Sound (JOURNAL)
Journal identifiersISSN: 0354-818X • E-ISSN: 1821-3782
PublisherCentre for Evaluation in Education and Science (CEON/CEES) (PUBLISHER)
DOI10.5937/newso23062013n
OpenAlexW4401510004
LanguageEN
Citations received1
References cited10

The twenty-first century saw an abrupt and remarkable resurgence of activity in the contemporary opera scene in Serbia. In this essay I construct a 'map' that affords a glimpse into different tendencies, styles, and approaches to opera by contemporary artists who live and work in Serbia, as well as by artists who live beyond Serbia's borders but remain connected to its cultural space through education, language, and the experience of living and/or working there during some period of their lives. I offer a brief outline of developments within each of the following three groups of pieces: 1. reinventing tradition: folklore and beyond; 2. postmodernist strategies: challenging the voices of conventional opera; 3. conceptual and experimental approaches to opera

Acoustics · Art · Opera · Physics · Singing · Visual arts · Balkan and Eastern European Studies · Balkans: History, Politics, Society · Diverse Musicological Studies · History

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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