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Water, an Audiovisual Work by Vladimir Korać

Nomen est omen

Bibliographic Data

ID21536726
AuthorsKsenija Stevanović (corresponding author)
Year2024
Issue64-2
Pages91-100
Publication date2024-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew Sound (JOURNAL)
Journal identifiersISSN: 0354-818X • E-ISSN: 1821-3782
PublisherCentre for Evaluation in Education and Science (CEON/CEES) (PUBLISHER)
DOI10.5937/newso2464091s
OpenAlexW4414350964
LanguageEN

The composer Vladimir Korać (b. 1986) creates works for solo instruments, various chamber ensembles, symphony orchestras, electronics, and electro-acoustic works, which constitute the main part of his oeuvre thus far. In this area, his works are recognizable in terms of his preferred tools, which include reduced textures, stemming from spectral sound analysis; using prepared electronic structures and controlled "live" processing, as well as working with the temporal dimension of the piece. The high point of Korać's oeuvre so far is the audiovisual composition Water, which won the 2023 Stevan Mokranjac award for best work of Serbian art music. This paper addresses the main analytic aspects of the work and attempts to sketch an initial possible reading of the metaphor of water as it figures in the piece

Metaphor · Omen · Sketch · Symphony · Balkans: History, Politics, Society · Cinema and Media Studies · Cinema History and Criticism

Citation velocityhistorical
Highly citedNo

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