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The oeuvre of Isidora Žebeljan

A survey, classification, specificities, and significance (II)

Bibliographic Data

ID21536727
AuthorsBorislav Čičovački (University of Kragujevac, corresponding author)
Year2023
Issue61-1
Pages139-171
Publication date2023-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew Sound (JOURNAL)
Journal identifiersISSN: 0354-818X • E-ISSN: 1821-3782
PublisherCentre for Evaluation in Education and Science (CEON/CEES) (PUBLISHER)
DOI10.5937/newso23061139c
OpenAlexW4387987190
LanguageEN
References cited1

In line with the extraordinary international significance that the oeuvre of Isidora Žebeljan commands in Serbia and abroad, the article begins by discussing the essence of that significance, highlighting the most important artistic accomplishments of Isidora's music as well as its unique traits that have played a direct role in the assertive breakthrough that Serbian music has made on the international stage. Specifically, it analyses three creative periods in Isidora's oeuvre, discussing the most important works and unique characteristics of Isidora's music and its originality, along with relevant facts from her biography

Aesthetics · Art · Biography · Creativity · Linguistics · Literature · Originality · Serbian · Sociology · Balkan and Eastern European Studies · Byzantine Studies and History · Classical Studies and Legal History · History · Philosophy · Psychology · Social Psychology

Citation velocityhistorical
Highly citedNo

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