Reflecting upon freedom in two electroacoustic works by Elżbieta Sikora
Bibliographic Data
| ID | 21536736 |
|---|---|
| Authors | Dominika Micał (0000-0002-9775-0814, Academy of Music in Kraków, corresponding author) |
| Year | 2021 |
| Issue | 58-2 |
| Pages | 111-120 |
| Publication date | 2021-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New Sound (JOURNAL) |
| Journal identifiers | ISSN: 0354-818X • E-ISSN: 1821-3782 |
| Publisher | Centre for Evaluation in Education and Science (CEON/CEES) (PUBLISHER) |
| DOI | 10.5937/newso2157111m |
| OpenAlex | W4297923174 |
| Language | EN |
The text's aim is to interpret the political and social aspect of Elżbieta Sikora's (born 1943) two electronic works: Rapsodia na śmierć republiki (Rhapsody for the Death of the Republic, 1979) and Janek Wiśniewski, grudzień, Polska (Janek Wiśniewski, December, Poland, 1981-1982). In my paper, I show the two pieces as examples of the 'engaged music' (as Sikora herself called them). I consider the role of their titles, narration, the use of pre-recorded sounds and musical quotation, as well as the circumstances of their creation
Aesthetics · Art · Literature · Musical · Narrative · Political science · Politics · European Cultural and National Identity · Law · Philosophy · Polish Historical and Cultural Studies · Polish-Jewish Holocaust Memory Studies · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |