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Folk music quotations and allusions in Latvian composers' neo-romantic symphonic music in the last decades of the 20th century and early 21st century

Bibliographic Data

ID21536741
AuthorsJānis Kudiņš (0000-0002-5870-8023, Jāzeps Vītols Latvian Academy of Music, corresponding author)
Year2020
Issue56-2
Pages213-238
Publication date2020-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew Sound (JOURNAL)
Journal identifiersISSN: 0354-818X • E-ISSN: 1821-3782
PublisherCentre for Evaluation in Education and Science (CEON/CEES) (PUBLISHER)
DOI10.5937/newso2055213k
OpenAlexW3175228063
LanguageEN
Citations received1
References cited3

This article focuses on the one specific question about folk music quotations and allusions in the symphonic music of Latvian composers in the last third of the 20th century (from the 70s) and the early 21 st century. Several Latvian composers (e.g. Romualds Kalsons, Pēteris Butāns, Pēteris Vasks, Pēteris Plakidis, Juris Karlsons) in their NEO-romantic symphonic works reflects interesting cases of Latvian folk music quotation, quasi quotation or allusion. Overall these are cases that show the composer's ability to actively use and create a similarity with Latvian folk music. However, this aspect raises the following questions. What kind of local (Latvian) traditions regarding folk music use (in general) are represented by Latvian composers? Why, at the end of the 20 th century and the early 21st century, have several composers continued to use folk music quotations or create folk music allusions? What symbolizes the folk music quotations and allusions in the context of the postmodern period's characteristic musical aesthetic and stylistics? It is hoped that this analysis will provoke a fruitful exchange of views on this question from different aspects

Aesthetics · Art · Folk music · Latvian · Linguistics · Literature · Music education · Musical · Romance · Symphony · Visual arts · Art, Technology, and Culture · History · Music · Music Technology and Sound Studies · Musicology and Musical Analysis · Philosophy

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    Jānis Kudiņš•Contemporary Music Review•2025

  • Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography

    Open Access•Jānis Kudiņš•Musicological Annual•2018

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
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