Willem Anker’s Red Dog, Cormac McCarthy, and the Enigma of Coenraad de Buys
Bibliographic Data
| ID | 21541136 |
|---|---|
| Authors | Gareth Cornwell (0000-0001-8996-9245, corresponding author) |
| Year | 2022 |
| Volume | 48 |
| Issue | 2 |
| Publication date | 2022-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | English in Africa (JOURNAL) |
| Journal identifiers | ISSN: 0376-8902 • E-ISSN: 2071-7474 |
| Publisher | African Journals Online (AJOL) (PUBLISHER) |
| DOI | 10.4314/eia.v48i2.1 |
| OpenAlex | W4214929201 |
| Language | EN |
Willem Anker has been accused of stealing from Cormac McCarthy’s Blood Meridian (1985) in his novel Red Dog (2018), the English translation of his award-winning Buys (2014). I defend Anker on the charge of plagiarism, while conceding that his novel could not have been the book that it is without the precedent of Blood Meridian. I go on to voice other reservations about Red Dog via discussion, inter alia, of Anker’s characterisation of Coenraad Buys and the rendering in English of his Afrikaans original. I conclude that the historical Coenraad Buys appears intractable to novelistic treatment, and that Anker signals his awareness of this while at the same time making a valiant attempt to bring the character to life. Keywords: Willem Anker, Red Dog, Buys, Cormac McCarthy, Blood Meridian, Sarah Gertrude Millin, King of the Bastards
Art · Art history · Astronomy · Literature · Physics · Modern American Literature Studies
| Highly cited | No |
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