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Succouring an Ixtabai

Zee Edgell’s Deployment of Belizean Folklore in The Festival of San Joaquin (1997)

Bibliographic Data

ID21544703
AuthorsChristopher De Shield (0000-0001-7975-9754, University of Belize), Gerardo Polanco, Gerardo A Polanco (Central America Health Sciences University)
Year2021
Volume44
Issue1
Pages23-42
Publication date2021-05-22
Open AccessYes
TypeARTICLE
VenueRevista Canadiense de Estudios Hispanicos (JOURNAL)
Journal identifiersISSN: 0384-8167 • E-ISSN: 2564-1662
PublisherUniversity of Ottawa Library (PUBLISHER)
DOI10.18192/rceh.v44i1.5899
OpenAlexW3171974415
LanguageEN

While folklore is often used in Belizean literature, it is generally treated there in one of two ways: infantilized as ghost story - told expressly for fascinating children - or in novel retellings - for the preservation of tradition. The Festival of San Joaquin, by celebrated Belizean author Zee Edgell, treats her recurring thematic and social concerns while deploying folkloric figures as an organizing motif in a novel way for Belizean literature; she offers a reworking of folklore that aspires toward recuperative ‘active myth.’ Exploration of her work might reveal it as amenable to an indigenous archetypal criticism, but such a criticism can only contribute to efforts at decolonization should it interrogate its own problematic adoption of folkloric figures whose indigenous origins have been obscured in the post-colonial era

Archaeology · Art · Colonialism · Criticism · Ethnology · Folklore · Indigenous · Literature · Mythology · Classics · History · Island Studies and Pacific Affairs · Ecology

Highly citedNo

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