Swiss Graphic Design
A British Invention
Bibliographic Data
| ID | 21564263 |
|---|---|
| Authors | Robert Lzicar (Technical Design (United States), corresponding author) |
| Year | 2021 |
| Volume | 37 |
| Issue | 1 |
| Pages | 51-63 |
| Publication date | 2021-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Design Issues (JOURNAL) |
| Journal identifiers | ISSN: 0747-9360 • E-ISSN: 1531-4790 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/desi_a_00624 |
| OpenAlex | W2973927716 |
| Language | EN |
| References cited | 2 |
The role of British graphic designers and authors in spreading Swiss Style, “Swiss graphic design,” or “Swiss typography” internationally is evident, but less is known about the process and effects of transnational exchange in design. This article follows the trajectories of objects and texts, revealing how they have established and disseminated the labels in Britain and abroad, thus contributing to our current understanding of “Swiss graphic design.” It concludes with an example of alternative historiography of modern visual communication as a constant process of exchange that reveals the complex international interaction of design discourses
Art · Communication design · Design elements and principles · Graphic communication · Graphic design · Historiography · Human–computer interaction · Linguistics · Multimedia · Programming language · Software engineering · Typography · Visual arts · Visual Communication · Computer Science · Digital Media and Visual Art · Graphic Design and Typography · History · Visual Culture and Art Theory
| Highly cited | No |
|---|