Transformasi Visual “Lukisan Tubuh Liminal” Inspirasi Penari Tarawangsa sebagai Model Proses Kreatif Seni Lukis

The realization of the painting with the object of the liminal bodies of Tarawangsa dancers, the work of the researcher (Supriatna) was inspired by a traditional art cultural event. The painting aims to depict the time and space dimension of the ambiguity of Tarawangsa dancers. The dance is expressed on canvas, depicting the body movements of the dancers in a duality of spirit, where on the one hand the movements follow the rhythm of the accompaniment aesthetically, but at the same time the movements signify the unification with Nyi Pohaci, the Goddess whom they sanctify. The visual expression of this sacred dance is done through the Practice-led research method, which is the process of painting through interpretation from observation and appreciation of objects, based on a semiotic approach. This process is expected to model a method of painting creation based on cultural arts research

Aesthetics · Art · Humanities · Liminality · Cultural and Artistic Studies