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Panji Dalam Tradisi Seni Pertunjukan

Alih Estetika dari Keraton Merasuki Estetika Kerakyatan

Bibliographic Data

ID21573573
AuthorsRohmat Djoko Prakosa (Institut Sains dan Teknologi Terpadu Surabaya, corresponding author)
Year2023
Volume33
Issue4
Pages519
Publication date2023-12-01
Open AccessYes
TypeARTICLE
VenuePanggung (JOURNAL)
Journal identifiersISSN: 0854-3429 • E-ISSN: 2502-3640
PublisherInstitut Seni Budaya Indonesia Bandung (PUBLISHER • ID)
DOI10.26742/panggung.v33i4.2917
OpenAlexW4389859398
LanguageEN
References cited2

Panji in the performing arts tradition has a big role. The diversity of forms and types of performances expresses the Panji cycle on the theme of wandering/wandering patriotic, romantic. There is an aesthetic transfer from palace aesthetics to popular aesthetics, research into this aesthetic transfer needs to be carried out to obtain aesthetic diversity. So it is necessary to explore the variants formed by local and folk traditions. To explore Panji’s cultural diversity in performing arts, a literature study is needed to approach Panji from the perspective of performing arts history. Direct observation of the forms and types of Panji performances, and observation of audio-visual documents, portraits and social media broadcasts about Panji. The results of the literature study and observations made can be described as the story of Panji in various forms of performance aesthetic expression. A variety of aesthetic performances of theatre, music, dance and visual aesthetic expressions. Broadly speaking, the aesthetics of the story of Panji is told in a classical aesthetic that is developed as a palace tradition and is embodied in the populist aesthetics that are spread across various areas of local populist culture. Keywords: Panji, tradition, aesthetics, performance

Aesthetics · Art · Dance · Literature · The arts · Visual arts · Child Development and Education · Cultural and Artistic Studies · Environmental Engineering and Cultural Studies

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Highly citedNo

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