The Interactive Construction of Performances in Contemporary Theatrical Rehearsal
Bibliographic Data
| ID | 21583063 |
|---|---|
| Authors | Minato Suzuki (0009-0009-0603-0132, 千葉大学人文公共学府 博士後期課程, corresponding author) |
| Year | 2023 |
| Volume | 2023 |
| Issue | 36 |
| Pages | 52-63 |
| Publication date | 2023-08-22 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Annual review of sociology (JOURNAL) |
| Journal identifiers | ISSN: 0919-4363 • E-ISSN: 1884-0086 |
| Publisher | Kantoh Sociological Society (PUBLISHER) |
| DOI | 10.5690/kantoh.2023.52 |
| OpenAlex | W4402212954 |
| Language | EN |
| References cited | 5 |
Using the methodology of conversation analysis, the aim of this study is to explore how the social conditions appropriate to the activity of performing on stages are constructed and how actors’ participation as “actors” is shaped in the creative process of contemporary Japanese theater. Previous sociological studies of contemporary theater have not attempted a detailed analysis of the interactions during the creative development of a play. However, this process is a central part of the theatrical production process. Analyzing interactions during rehearsals, it is revealed that the director’s embodied gaze is mobilized as an interactive resource to initiate actors’ performances during the creative process
Aesthetics · Architectural engineering · Art · Human–computer interaction · Multimedia · Visual arts · Computer Science · Engineering · Musicology and Musical Analysis · Theater, Performance, and Music History · Theatre and Performance Studies
| Highly cited | No |
|---|