Reflections of Legal Culture in Television Comedy

Social Critique and Schadenfreude in the US Series “Frasier”

Bibliographic Data

ID21593345
AuthorsStefan Machura (0000-0001-7619-2529, Bangor University, corresponding author), Olga Litvinova (0000-0001-7700-3275, Bangor University)
Year2021
Volume34
Issue1
Pages89-108
Publication date2021-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique (JOURNAL)
Journal identifiersISSN: 0952-8059 • E-ISSN: 1572-8722
PublisherSpringer Science and Business Media LLC (PUBLISHER)
DOI10.1007/s11196-020-09749-y
OpenAlexW3041941443
LanguageEN
Citations received1
References cited21

Traces of law can be found in all aspects of life, law is ubiquitous. People relate law to some of their most desperate life situations, and sometimes law serves them well. It is no wonder that law features prominently in popular comedies. There also is a tradition to ridicule authorities and social institutions, and the law, courts and legal professionals are no exemption. In order to be understandable and “funny”, there needs to be at least a fleeting familiarity of the audience with them. Popular tv comedies thus offer a unique window into popular legal culture: they show elements of law and aspects of its workings, of the behaviour of lawyers, which the public relates to. For example, previous media coverage, other lawyer television and movies, or indeed personal experience, may have introduced them and something made this information stick, perhaps a rather objectionable practice. “Law” in this context has to be taken in its widest possible meaning as “living law” (Eugen Ehrlich), which means including those non-statutory rules by which society is organized, by which people live their daily lives. A further dimension which lends itself to good entertainment is rule-breaking behaviour, which often testifies for the validity of laws, only that they are inconvenient in certain situations. Again, a constellation that invites mockery, humour and Schadenfreude . The manuscript will apply a cultural and socio-legal perspective to the depiction of things legal in one of the most outstanding US television comedies, shown to audiences internationally: “Frasier” (1993–2004)

Art · Comedy · Depiction · Entertainment · Legal doctrine · Literature · Political science · Popular culture · Sociology · Statutory law · Wonder · History · Jury Decision Making Processes · Law · Law in Society and Culture · Legal Education and Practice Innovations · Psychology · Social Psychology

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