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Prolegomenon for Fazang’s Essay on the Golden Lion

Bibliographic Data

ID21597822
AuthorsNicholaos Jones (0000-0003-4928-5089, University of Alabama in Huntsville, corresponding author)
Year2025
Volume33
Issue1
Pages48-63
Publication date2025-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBritish Journal for the History of Philosophy (JOURNAL)
Journal identifiersISSN: 0960-8788 • E-ISSN: 1469-3526
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09608788.2024.2373131
OpenAlexW4401616912
LanguageEN
References cited9

Fazang is a seminal figure for the tradition of Huayan Buddhism. Essay on the Golden Lion is the most widely translated into English of his writings. Yet systematic English-language scholarship on Fazang’s Essay is relatively sparse. Scholars agree that the central focus of the Essay is the relation between principle and thing — a relation akin to the one between emptiness and form and, according to Fazang, also akin to the relation between the golden substance of a lion statue and the statue itself. Scholars disagree about what principle is. They also disagree about how Fazang conceptualizes the relation between principle and thing. This paper develops a novel interpretation for Fazang's conception of the principle-thing relation. The methodology involves situating Fazang's metaphor of the golden lion in relation to prior efforts, by Chinese Buddhists, to conceptualize the emptiness-form relation and using theoretical considerations, from some of Fazang’s other writings, to interpret various remarks Fazang makes about his metaphor of the golden lion

Art · Art history · Buddhism · Emptiness · Epistemology · Linguistics · Literature · Metaphor · Scholarship · Statue · Theology · Chinese history and philosophy · Eurasian Exchange Networks · Indian and Buddhist Studies · Law · Philosophy

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Citation velocityhistorical
Highly citedNo

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