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On religious and cultural objects

Articulate and inarticulate bodies in Spinoza's philosophy of nature

Bibliographic Data

ID21603055
AuthorsChristopher Thomas (0000-0002-0346-2417, Department of History Politics and Philosophy Manchester Metropolitan University Geoffrey Manton Building Manchester UK, corresponding author)
Year2021
Volume29
Issue1
Pages90-104
Publication date2021-03-01
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Philosophy (JOURNAL)
Journal identifiersISSN: 0966-8373 • E-ISSN: 1468-0378
PublisherWiley (PUBLISHER • GB)
DOI10.1111/ejop.12549
OpenAlexW3018612576
LanguageEN
References cited18

Spinoza's philosophy is often overlooked when it comes to thinking about matters concerning art and culture. While recent work has done much to address this, his philosophy remains ambiguously related to the theorisation of things such as temples, poems, and paintings. This article argues that it is by turning to Spinoza's theorisation of the sacred in the Theological‐Political Treatise , that we can best derive his philosophical position on culture and its objects. I argue that Spinoza locates the sanctity of a religious object–what he calls its “articulateness”–in its particular use‐relation with a people. In a similar manner, Spinoza locates the “meaning” and articulateness of words in the use that people make of them, thereby secularising the sanctification process for cultural objects. I argue that this relation of “use” between cultural‐religious objects and human beings and their societies is the way in which we can best discern Spinoza's philosophical position regarding art and culture, as well as further develop his potential contribution to cultural and art theory

Aesthetics · Connotation · Epistemology · Linguistics · Sanctification · Sociology · Theology · Philosophy · Philosophy, Ethics, and Existentialism · Political Theology and Sovereignty · Seventeenth-Century Political and Philosophical Thought

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Highly citedNo

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