A Critical Film Zone on Zoom
Bibliographic Data
| ID | 21606096 |
|---|---|
| Authors | Laleen Jayamanne (corresponding author) |
| Year | 2022 |
| Volume | 13 |
| Issue | 1 |
| Pages | 33-37 |
| Publication date | 2022-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | BioScope South Asian Screen Studies (JOURNAL) |
| Journal identifiers | ISSN: 0974-9276 • E-ISSN: 0976-352X |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/09749276221099089 |
| OpenAlex | W4283742207 |
| Language | EN |
Quite by chance, participating in Zoom webinars on two recent films about Sri Lanka, Funny Boy and The Single Tumbler , opened up an unexpected and surprising research problem. This was especially surprising because neither of the webinars were organised from within academic film studies
Ancient history · Art · Optics · Physics · Sri lanka · Visual arts · Zoom · Cinema and Media Studies · History · Shakespeare, Adaptation, and Literary Criticism · South Asian Cinema and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |