Introduction
Ian McEwan’s Sensationalist Impressionism
Bibliographic Data
| ID | 21608181 |
|---|---|
| Authors | Adèle Cassigneul, Elsa Cavalié (0000-0002-1946-8864) |
| Year | 2022 |
| Volume | 27 |
| Publication date | 2022-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Polysèmes (JOURNAL) |
| Journal identifiers | ISSN: 0999-4203 • E-ISSN: 2496-4212 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/polysemes.10050 |
| OpenAlex | W4312455480 |
| Language | EN |
| References cited | 7 |
I like writers generally, and Nabokov is another who is supreme in this respect, who recognizes that forty percent of the brain’s processing is given over to the visual, and the visual region projects deep into other parts of the brain, of language and emotion. We are visual creatures and the novel, more than cinema, for me is ultimately a visual medium. David Lynn, “A Conversation with Ian McEwan”, 45. Crafting his novels for “visual creatures”, Ian McEwan time and again creates impactful, o
Art · Media studies · Sensationalism · Sociology · Contemporary Literature and Criticism · History · Postcolonial and Cultural Literary Studies · Themes in Literature Analysis
| Highly cited | No |
|---|