Contemplated Madness
Dementia as Defense Mechanism in Lily Brooks-Dalton’s Good Morning, Midnight
Bibliographic Data
| ID | 21617815 |
|---|---|
| Authors | Sarah Manley (0009-0005-7578-5038, Humanities & Social Sciences, Mount Tamalpais College, corresponding author) |
| Year | 2026 |
| Volume | 45 |
| Issue | 2 |
| Publication date | 2026-03-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Disability Studies Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1041-5718 • E-ISSN: 2159-8371 |
| Publisher | The Ohio State University Libraries (PUBLISHER • US) |
| DOI | 10.18061/dsq.6366 |
| OpenAlex | W7117966950 |
| Language | EN |
Popular discourse usually represents dementia as a pitiable experience of loss and degeneration. Lily Brooks-Dalton’s 2016 novel, Good Morning, Midnight, instead presents dementia as a richly productive life experience, capable of transforming relationships and facilitating growth. This article takes up scholarship in three disability studies subfields—disability gain, cognitive disability, and animality—along with Robert Hariman’s theory of allegory in order to explain how dementia allows Brooks-Dalton’s protagonist not only to cope with bewildering life circumstances and the limits of normative time, but ultimately to restore his capacity for connection through the power of allegorical composition
Cognition · Dementia · Normative · Scholarship · Contemporary Literature and Criticism · Disability Rights and Representation · Umberto Eco and Semiotics
| Highly cited | No |
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