Questions for a Women's Cinema
Fact, Fiction and Memory in the Films of Naomi Kawase
Bibliographic Data
| ID | 2162798 |
|---|---|
| Authors | Rie Karatsu (corresponding author) |
| Year | 2009 |
| Volume | 22 |
| Issue | 2-3 |
| Pages | 167-181 |
| Publication date | 2009-03-30 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0894-9468 • E-ISSN: 1545-5920 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/08949460802623739 |
| OpenAlex | W2041350455 |
| Language | EN |
| Citations received | 5 |
| References cited | 5 |
This article discusses the formal aspects and thematic concerns of the award-winning Japanese filmmaker Naomi Kawase's fiction films, especially Mourning Forest [; Mogari no mori], the blurring of fiction and non-fiction in her work, and her autobiographical impulses, as a case study in the contemporary explorations of gender and generational relations in Japan
Aesthetics · Art · Art history · Film director · Film genre · Literature · Movie theater · Visual arts · Asian Culture and Media Studies · Cinema and Media Studies · Japanese History and Culture
| Citations per year | 0.71 |
|---|---|
| Citation span | 2019 - 2024 (6) |
| Highly cited | No |