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From a Real Body, Which Was There, Proceed Radiations Which Ultimately Touch Me, Who Am Here

An Encounter with a Missionary Portrait of a Precolonial Akan Court Official

Bibliographic Data

ID2162816
AuthorsPamela Jenkins (0000-0002-9854-9450, corresponding author), Paul Jenkins (0000-0002-8657-3605)
Year2009
Volume22
Issue4
Pages275-292
Publication date2009-07-21
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949460903004938
OpenAlexW1995981847
LanguageEN
Citations received2
References cited11

Following Barthes' striking insights, this essay attempts an encounter with a portrait of an Akan court official on the Gold Coast taken in about 1890. The missionary photographer is given his due in the analysis, but Barthes is taken as urging us to take the signals from the photographed “object” seriously when analyzing portraits, and as having liberated us to use the complex of visual perceptions which people with long experience in a region call up when they encounter someone unknown to them. This train of thought allows us to see the official as a representative of a functioning political community with reforming intentions and an ability to absorb many of the impulses a resident Mission brought into the area. The essay is also a by-product of the effort which has been put into getting the main body of historical photographs in the Basel Mission archive catalogued to a satisfactory degree of local precision, to serve the interest in African History among the Mission's African partners, and the new Centre for African Studies at the University of Basel

Art · Art history · Epistemology · Media studies · Object (grammar · Perception · Political science · Politics · Portrait · Product (mathematics · Sociology · Visual arts · African history and culture studies · Computer Science · Global Maritime and Colonial Histories · History · Law · Philosophy

  • Erotics of Sin

    Thomas Hendriks•Visual Anthropology•2013

  • Photography and the Religious Encounter

    Open Access•David Maxwell•Comparative Studies in Society…•2011

  • Paths in the rainforests

    Jan M Vansina, Jan Vansina•Paths in the rainforests•1990

  • A Provisional Survey of nineteenth century Photography on the Gold Coast and in Ashanti

    Pamela Jenkins, Paul Jenkins•Journal des africanistes•2005

  • The Earliest Generation of Missionary Photographers in West Africa and the Portrayal of Indigenous People and Culture

    Open Access•Pamela Jenkins, Paul Jenkins•History in Africa•1993

  • Four Years in Asante

    Open Access•Adam Jone•History in Africa•1991

  • Lela in Bali

    Richard Fardon•Lela in Bali•2006

  • Images from Bamum

    Doran H Ross, Christraud M Geary•African Arts•1989

  • Material traces of religious change in africa, asia and latin america

    Jon Miller, J Jefferson Miller•Material Religion•2008

  • Images from Bamum

    Raymond A Silverman, Christraud M Geary•The International Journal of…•1989

  • One hundred and fifty years of Christianity in a Ghanaian town

    Open Access•J Middleton•Africa•1983

  • Rank and class among the Asante and Fante in the nineteenth century

    Open Access•Kwame Arhin•Africa•1983

Unique citing works2
Citations per year0,13
Citation span2011 - 2013 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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