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A Discussion of “Accompaniment in Jazz and Psychoanalysis”

Bibliographic Data

ID21630525
AuthorsAdam Blum (0000-0002-6781-707X, San Francisco Center for Psychoanalysis, corresponding author)
Year2020
Volume30
Issue4
Pages448-458
Publication date2020-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePsychoanalytic Dialogues (JOURNAL)
Journal identifiersISSN: 1048-1885 • E-ISSN: 1940-9222
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10481885.2020.1774328
OpenAlexW3085861065
LanguageEN
Citations received1
References cited6

Situating his current paper (this issue) within the developing dialogue between psychoanalysis and music, as well as within the evolution of Markman’s own definitive contributions to that dialogue, this discussion identifies Markman’s inspired, embodied musicality as the primary force animating Markman’s writing and clinical work. Markman’s remarkable taxonomy of rhythmic styles of psychoanalytic accompaniment, formed entirely by his clinical experience, is highlighted and elaborated. The value of music as a source of metaphor is contrasted with an understanding of the actuality of music as a dimension of psychical life that is cultivated and healed through psychoanalytic accompaniment. Using “process notes” from a music documentary, the power of actual music is located in the fabric of culture, conducted through musical sound and forms of movement, including the rhythmic practice of the psychoanalytic frame and the antiphonic discourse of psychoanalytic process

Aesthetics · Art · Embodied cognition · Epistemology · Jazz · Linguistics · Metaphor · Musical · Musicality · Psychoanalysis · Psychoanalytic theory · Visual arts · Music History and Culture · Musicology and Musical Analysis · Philosophy · Poetry Analysis and Criticism · Psychology

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Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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