Woridmaking, metaphors and montage in the representation of cultures
Cross-cultural filmmaking and the poetics of Robert Gardner'sforest of bliss
Bibliographic Data
| ID | 2163170 |
|---|---|
| Authors | Roderick Coover (University of California San Diego, corresponding author) |
| Year | 2001 |
| Volume | 14 |
| Issue | 4 |
| Pages | 415-433 |
| Publication date | 2001-11-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0894-9468 • E-ISSN: 1545-5920 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/08949468.2001.9966842 |
| OpenAlex | W1988965078 |
| Language | EN |
| Citations received | 3 |
| References cited | 8 |
This essay looks at how ways of seeing may be constructed through referential practices in montage and other forms of visual and synesthetic juxta‐positioning. Reflecting on films by Robert Gardner and others as transitional documents in an age of changing media, the essay explores alternative strategies of cross‐cultural production. The essay bridges theories of montage, metaphor, and the philosophy of art
Aesthetics · Art · BLISS · Filmmaking · Linguistics · Literature · Metaphor · Poetics · Representation (politics · Sociology · Visual arts · Cinema and Media Studies · Cultural Industries and Urban Development · Philosophy · Theatre and Performance Studies
| Citations per year | 0.15 |
|---|---|
| Citation span | 2006 - 2018 (13) |
| Highly cited | No |