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Picking at the Paint

Viewing Contemporary Bushman Art asArt

Bibliographic Data

ID2163192
AuthorsShanade B Barnaba, Shanade Barnaba (0000-0001-9915-9393, Schlumberger (Ireland), corresponding author)
Year2010
Volume23
Issue5
Pages427-442
Publication date2010-10-14
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.2010.508980
OpenAlexW1971314220
LanguageEN
Citations received6
References cited9

In most writing on contemporary Bushman art the art is discussed as a tool of development, a tourism endeavor and an income generator. While these are aims both legitimate and beneficial to the communities involved, they also work (implicitly yet effectively) to separate the art, artist and subsequently the community out of which the art is produced from “the rest of us,” defining these communities as “other.” This article attempts to engage with contemporary Bushman art as art objects. Using criteria of judgment based on a functional semiotics of art, two works will be analyzed to prove that the works may be discussed as Art. The premise is that once people recognize the aesthetic intelligence imbued in these artworks they will be able to engage with the work in a way that is similarly intelligent and contemporary. The art and its people will then stand a better chance of being accepted into the realm of the everyday as opposed to being relegated to the sarcophagi of history. Once taken from this starting position, goals of community development and tourism endeavors linked to indigenous art can become that much more beneficial and life-changing for the communities concerned

Aesthetics · Art · Art history · Art methodology · Contemporary art · Epistemology · Exhibition · Indigenous · Performance art · Premise · Realm · Sociology · Tourism · Visual arts · Anthropological Studies and Insights · Archaeology and Rock Art Studies · Cultural Heritage Management and Preservation · History

  • Exposer de l’art bushman en Suisse

    Open Access•Leila Baracchini, Blaise Mulhauser et al.•Swiss Journal of Sociocultural…•2022

  • Simulacral, genealogical, auratic and representational failure

    William Ellis•Critical Arts•2014

  • To exhibit or be exhibited

    Nyasha Mboti•Critical Arts•2014

  • Becoming traditional

    Open Access•Leila Baracchini•Ethnography•2024

  • Contemporary Bushman Art

    Shanade Bianca Barnaba, Shanade Barnaba et al.•Visual Anthropology•2020

  • Visualizing Different Kinds of Writing

    Keyan G Tomaselli, Keyan Tomaselli•Visual Anthropology•2013

  • Traditional and Contemporary Art of Aboriginal Australia

    Robert Layton•Anthropology, art, and aesthetics•1992

  • Art And Agency

    Alfred Gell•Art and agency•1998

  • Believing and seeing

    J David Lewis-Williams•Believing and seeing•1981

  • Contested images, contexted texts

    Mathias Guenther•Critical Arts•1995

  • NGOs, 'Bushmen' and Double Vision

    Steven Robin, Steven Robins•Journal of Southern African Studies•2001

  • Contemporary Bushman Art, Identity Politics and the Primitivism Discourse

    Open Access•Mathias Guenther•Anthropologica•2003

  • What is Anthropological Enlightenment? Some Lessons of the Twentieth Century

    Marshall Sahlins•Annual Review of Anthropology•1999

Unique citing works6
Citations per year0,46
Citation span2013 - 2024 (12)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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