The Interaction between Visual and Written Ethnography in Subtitling
Bibliographic Data
| ID | 2163261 |
|---|---|
| Authors | Jinghong Zhang (0000-0003-1802-9090, corresponding author) |
| Year | 2012 |
| Volume | 25 |
| Issue | 5 |
| Pages | 439-449 |
| Publication date | 2012-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0894-9468 • E-ISSN: 1545-5920 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/08949468.2012.720200 |
| OpenAlex | W2066346641 |
| Language | EN |
| Citations received | 4 |
| References cited | 2 |
This article explores how subtitles are applied in ethnographic film editing. Based upon doctoral research and accompanying films, I will illustrate how the key ideas in the writing could be re-addressed and re-interpreted in the films through certain ways of subtitling. I argue that appropriate subtitling not only presents the individuality of the subjects directly, but also allows the filmmaker to pronounce his/her own voice indirectly, which responds to as well as differs from written anthropology
Aesthetics · Art · Ethnography · Film director · Key (lock · Linguistics · Movie theater · Sociology · Visual anthropology · Visual arts · Anthropology · Computer Science · Digital Storytelling and Education · Philosophy · Subtitles and Audiovisual Media · Translation Studies and Practices
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,36 |
| Citation span | 2015 - 2022 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |