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Unpacking Craft Skills

What Can Images Reveal about the Embodied Experience of Craft

Bibliographic Data

ID2163352
AuthorsG Gowlland (0000-0002-0640-2989, corresponding author)
Year2015
Volume28
Issue4
Pages286-297
Publication date2015-08-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.2015.1052324
OpenAlexW2513444242
LanguageEN
Citations received6
References cited21

In this article I compare video footage I recorded during two separate studies on craft ceramics, in China and Taiwan respectively, to reflect on the way images might contribute to theoretical reflections on embodied practice in craftwork. In the first, key moments captured by the camera illustrate, and help us to understand, local conceptions of craft and ethics of skilled practice, yet these moments are fleeting and their value unlikely to be recognized by a casual viewer. An analysis of the second video footage, in which a Taiwanese master ceramicist is brought to "unpack" his skilled knowledge when in the role of a teacher, reveals another way in which images can bring viewers to access otherwise "invisible" dimensions of skilled practice

Aesthetics · Art · Assemblage (archaeology · Casual · Craft · Embodied cognition · Political science · Sociology · Unpacking · Visual arts · Computer Science · Crafts, Textile, and Design · Cultural Industries and Urban Development · History · Law · Museums and Cultural Heritage · Artificial Intelligence

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    Open Access•G Gowlland•Nordisk Museologi•1970

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    G Gowlland•The Journal of Modern Craft•2009

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Unique citing works6
Citations per year0,11
Citation span1970 - 2025 (56)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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