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Reflections on Migration through Film

Screening of an Anthropological Documentary on Indian Youth in London

Bibliographic Data

ID2163363
AuthorsMario Rutten (Russian State Agrarian Correspondence University, corresponding author), Verstappen (0000-0003-2281-2766, Nederlandse Vereniging voor Anesthesiologie, corresponding author), Sanderien Verstappen
Year2015
Volume28
Issue5
Pages398-421
Publication date2015-10-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.2015.1085795
OpenAlexW2300757262
LanguageEN
Citations received4
References cited27

Visual anthropologists have seldom discussed audience reactions, and those that have done so have tended to focus on the reactions of informants featured in their films. This article shows that collecting and examining responses from a wider range of audiences, and broadening the discussion on the subject of the audience, are useful in further exploring film as a tool in anthropological research. Research on responses elicited by the film Living like a Common Man [2011], which was screened to varied audiences across India and Europe, produced additional insights on the social position of the film characters and suggested new directions for further studies on ambivalent and contradictory aspects of migration

Ambivalence · Art · Documentary film · Focus (optics · Media studies · Optics · Sociology · Subject (documents · Visual arts · Cinema and Media Studies · Computer Science · Gender Studies · Psychology · Social Psychology · South Asian Cinema and Culture · South Asian Studies and Conflicts

  • Ethnocinematographic Theory. How to Develop Migration Theory Through Ethnographic Filmmaking

    Open Access•Verstappen, Sanderien Verstappen•Visual Methodology in Migration…•2021

  • Film screenings in the forest

    Open Access•James Scott Robinson, Petro Paul Nnyiti et al.•Forest Policy and Economics•2026

  • Empty homes

    Open Access•Willy Sier, Verstappen•Visual Studies•2024

  • Deepfakes and documentary practice in an age of misinformation

    Craig Hight•Continuum•2021

  • Hegemonic Aspirations

    Leela Fernandes, Patrick Heller•Bulletin of Concerned Asian…•2006

  • Timothy Asch and Ethnographic Film

    E D Lewis, Elsa Lewis•Timothy Asch and Ethnographic Film•2004

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  • The last 20 years of visual anthropology – a critical review

    Jay Ruby•Visual Studies•2005

  • Gendered Global Migrations

    E Kofman•International Feminist Journal of…•2004

  • The Challenges of a Pioneer

    Open Access•Wilton Martínez•Visual Anthropology Review•1995

  • Five Traditions in Search of the Audience

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  • The active audience

    Open Access•Lakshmi Srinivas•Media Culture & Society•2002

  • Booing

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  • RoundTrip

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  • Cowboys and Indians

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  • Laughing Atfirst Contact

    Open Access•Peter Wogan•Visual Anthropology Review•2006

  • Globalisation and the Middle Classes in India

    Open Access•Craig Jeffrey•Development and Change•2009

  • Middling Migration

    Mario Rutten, Verstappen et al.•New Community•2014

  • A Balinese Trance Seance

    William M Clements, Timothy Asch et al.•Journal of American Folklore•1983

  • Ethnographic Film

    David Macdougall•Annual Review of Anthropology•1978

  • Timepass

    Open Access•Craig Jeffrey•American Ethnologist•2010

  • Cinema in the Bush

    Daniela Vávrová•Visual Anthropology•2014

  • Thick Inscription and the Unwitting Witness

    Paul Henley•Visual Anthropology•2013

  • Ethnographic film

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  • Integrating ethnographic research and filmmaking

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  • Active viewing

    Lakshmi Srinivas•Visual Anthropology•1998

Unique citing works4
Citations per year0,8
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 4

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