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Pithorain the Time of Kings, Elephants and Art Dealers

Art and Social Change in Western India

Bibliographic Data

ID2163376
AuthorsAlice Tilche (0000-0001-6398-3620, SOAS University of London, corresponding author)
Year2015
Volume28
Issue1
Pages1-20
Publication date2015-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.2015.973255
OpenAlexW1972507392
LanguageEN
Citations received4
References cited26

This article analyzes the transformation of Adivasi ("Tribal") painting in western India. Drawing on theoretical approaches to the agency of art objects, it shows how from being a divinity with the power to bring prosperity, the Pithora paintings have emerged as a form of art that can be interpreted as text, and placed within new canons of beauty and style. Here this transformation is shown to be altering the semiotic processes, and the social and divine relations that the painting involves. I argue that, in becoming meaningful, Pithora is acquiring a new kind of efficacy in its ability to mediate competing processes of social and religious change

Ancient history · Art · Ethnology · Geography · Political science · Social change · Sociology · Visual arts · Anthropological Studies and Insights · Fashion and Cultural Textiles · History · Law · Southeast Asian Sociopolitical Studies

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Unique citing works4
Citations per year0,44
Citation span2017 - 2024 (8)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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