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An Authoritarian Spectacle

Visual Biopolitics and the Dramaturgy of the Poland-Belarus Border Migration Crisis

Bibliographic Data

ID2163640
AuthorsAliaksei Kazharski (0000-0002-9782-7746, corresponding author)
Year2023
Volume36
Issue4
Pages373-396
Publication date2023-08-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Anthropology (JOURNAL)
Journal identifiersISSN: 0894-9468 • E-ISSN: 1545-5920
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.2023.2207452
OpenAlexW4388874190
LanguageEN
Citations received4
References cited20

This article analyzes the 2021–22 migration crisis at the EU-Belarus border through the conceptual lens of visual biopolitics. Based on data available from the regime-run media in Belarus it demonstrates how the engineered crisis was a case of authoritarian dramaturgy relying on numerous visual representations of migrants. The carefully staged authoritarian spectacle exploits both the vulnerability and grievability of refugee life, and the regime’s role as a self-appointed sovereign exercising comprehensive biopolitical care and protection over the population of migrants stranded at the border between Belarus and Poland

Art · Authoritarianism · Biopower · Democracy · Economic history · Foregrounding · Media studies · Political economy · Political science · Politics · Sociology · Spectacle · Eastern European Communism and Reforms · History · Law · Security, Politics, and Digital Transformation · Sociopolitical Dynamics in Russia

  • Belarus’s Coercive Engineered Migration Case of 2021–2022

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  • Aesthetics and World Politics

    Open Access•R Bleiker•Aesthetics and World Politics•2009

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    Barry Buzan, Ole Waever et al.•Security•1997

  • Homo Sacer

    Giorgio Agamben•Homo Sacer•2020

  • Belarus’ new political nation? 2020 anti-authoritarian protests as identity building

    Open Access•Aliaksei Kazharski•New Perspectives•2021

  • The gendered iconography of the Belarus protest

    Open Access•Elizaveta Gaufman•New Perspectives•2021

  • The role of non-elites and eyewitness videos in the visual securitisation of Calais asylum seekers

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  • The Production of (Un)deserving and (Un)acceptable

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    James Der Derian•Third World Quarterly•2005

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    Open Access•M C Williams•International Studies Quarterly•2018

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  • Visual Biopolitics

    Open Access•Andrey Makarychev•Journal of Illiberalism Studies•2021

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  • Isis, Heritage, and the Spectacles of Destruction in the Global Media

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  • The Boy on the Beach

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Unique citing works4
Citations per year2
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 4

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