The Advocacy Coalition in the British Film Institute in Its Early Days
Bibliographic Data
| ID | 21637090 |
|---|---|
| Authors | Takao Terui (0000-0002-0657-4027, Xi’an Jiaotong Liverpool University, Suzhou, China, corresponding author) |
| Year | 2023 |
| Volume | 53 |
| Issue | 3 |
| Pages | 200-216 |
| Publication date | 2023-05-04 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Journal of Arts Management Law and Society (JOURNAL) |
| Journal identifiers | ISSN: 1063-2921 • E-ISSN: 1930-7799 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/10632921.2023.2227183 |
| OpenAlex | W4383896969 |
| Language | EN |
| Citations received | 2 |
| References cited | 19 |
This paper explores the interactions and cooperation between public-sector, business-sector, and civil-society stakeholders in developing British film policy for educational and cultural purposes. In particular, this paper adopts the Advocacy Coalition Framework to explain why and how public authorities, film industry organizations, and educationalists efficiently communicated and cooperated with each other in making the British Film Institute. By doing that, this paper explains (1) how commercial business and social workers, who were initially hostile, could build constructive partnerships; (2) how inactive, noninterventionist governments could be involved in the policymaking for cultural sectors; and (3) how private business could be persuaded into supporting cultural and educational policy for noncommercial purposes
Civil society · Constructive · Economics · Management · Political science · Politics · Private sector · Public policy · Public relations · Public sector · Sociology · Cultural Industries and Urban Development · Law · Public Administration · Social and Cultural Dynamics · Social Policy and Reform Studies
Policy change and learning
Enterprise Culture and the Arts
State Support of Artists
The Politics of the Arts in Britain
The Origins of the Arts Council Movement
Neoliberal Culture
Culture, Economy and Politics
Cultural Organizations and the State
Commodification and Instrumentality in Cultural Policy
Neo‐liberalism, Culture and Policy
Putting the “art” back into arts policy making
Missing’ from policy history
Cultural industries and cultural policy
The postwar transformation of the British Film Institute and its impact on the development of a national film culture in Britain
Why advocacy coalitions matter and practical insights about them
Treating Policy Brokers Seriously
The British Film Institute, the government and film culture, 1933-2000
Heteronomy in the arts field
The social construction of a cultural disaster
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2025 (2) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |