“Stereotypes of a Black Male Misunderstood”

Collaborative Intergenerational Autoethnography, the Communication of Black Masculinities, and the Symbolism of Tupac Shakur

Bibliographic Data

ID21637478
AuthorsMark C Hopson (Chapman University, Orange, California, USA, corresponding author), Mareek Pitts (Chapman University, Orange, California, USA)
Year2024
Volume35
Issue5
Pages535-552
Publication date2024-10-19
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHoward Journal of Communications (JOURNAL)
Journal identifiersISSN: 1064-6175 • E-ISSN: 1096-4649
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10646175.2024.2357314
OpenAlexW4399546389
LanguageEN
Citations received2
References cited16

This collaborative intergenerational autoethnography explores the communication of Black masculinities, the symbolism of Tupac Shakur, and societal implications for Black men. The communication of Black masculinities is a theoretical explication of overlapping dilemmas in social interaction. Historically, Black/African American men have felt the need to function with double consciousness and a negotiated cultural identity that is constantly in flux. The purpose of the study is to interrogate how this phenomenon occurred across aspects of Tupac’s life and how the phenomenon continues in the 21st century. The study revealed five primary themes: (1) Black boyhood and the (un)reconstructed Black man, (2) keeping it real or keeping it right, (3) Black male misunderstood, (4) language, identity, and the n-word, and (5) relational communication with Black women

Autoethnography · Black male · Black sea · Sociology · Gender Roles and Identity Studies · Gender Studies · Gender, Feminism, and Media · Youth Education and Societal Dynamics

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