Rereading David Morley'sThe 'Nationwide' Audience
Bibliographic Data
| ID | 2163860 |
|---|---|
| Authors | Sujeong Kim (0000-0003-3575-7495, Dongguk University, corresponding author) |
| Year | 2004 |
| Volume | 18 |
| Issue | 1 |
| Pages | 84-108 |
| Publication date | 2004-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 0950-2386 • E-ISSN: 1466-4348 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0950238042000181629 |
| OpenAlex | W2041130876 |
| Language | EN |
| Citations received | 16 |
| References cited | 1 |
This article intends to revisit David Morley’s work, The ‘Nationwide’ Audience: Structure and Decoding, by reanalysing his findings in a way of revealing some distinct decoding patterns. While The ‘Nationwide’ Audience has been acclaimed as one of the most influential empirical works in audience studies, it has been often misunderstood as if the work failed to find out systemic and consistent influences of viewers’ social conditions on decoding practices. On the contrary, by using a statistical method, this paper demonstrates that the audiences’ decodings of the programme presented by Morley are in fact clearly patterned by their social positions. The findings reveal the over-determined effects of various social conditions such as class, gender, race and age. Particularly, the results seem to restore the importance of social class on the interpretive process, which has been displaced and ignored in many current media studies. Highlighting audiences’ structural social positions, the reading patterns rediscovered here allow us to rebut not only the traditional Marxist view of class determinism but also any relativist accounts of cultural activity
Class (philosophy · Determinism · Epistemology · Marxist philosophy · Media studies · Political science · Reading (process · Social class · Sociology · Gender, Feminism, and Media · Law · Media Studies and Communication · Philosophy · Social and Cultural Dynamics
Audience Research in the Post-Audience Age
Media Effects
News, Nationalism, and Hegemony
Hall’s encoding/decoding model revisited in the digital platform age
The Differential Susceptibility to Media Effects Model
Interpreting Transnational Cultural Practices
Consuming news translation
Damsels and darlings
Those Who Have Had Trouble Can Sympathise with You
Mediated class-ifications
Oh goodness, I am watching reality TV
Modes of Reception
Media practice and class-making
Journalistic and reception mechanisms of remote threat domestication
Hegemony, Resistance, and the Cultural Turn
Culture As (And After) Production
| Citations per year | 0.8 |
|---|---|
| Citation span | 2006 - 2026 (21) |
| Highly cited | No |