En defensa de la neutralidad
El ejercicio de la diplomacia a través de la censura cinematográfica en Argentina, 1938-1940
Bibliographic Data
| ID | 21659006 |
|---|---|
| Authors | María Eugenia Druetta (Universidad de Buenos Aires, corresponding author) |
| Year | 2021 |
| Issue | 52 |
| Pages | 39-56 |
| Publication date | 2021-04-29 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Secuencias Revista de Historia del Cine (JOURNAL) |
| Journal identifiers | ISSN: 1134-6795 • E-ISSN: 2529-9913 |
| Publisher | Servicio de Publicaciones de la Universidad Autonoma de Madrid (PUBLISHER) |
| DOI | 10.15366/secuencias2020.52.002 |
| OpenAlex | W3159333642 |
| Language | EN |
| References cited | 2 |
The second half of the 1930s found Argentina facing the challenge of consolidating its State structure as well as its notion of a nation, in the context of a world that was beginning to fall apart. Argentina’s foreign relationships became increasingly uncertain, both from economic and political points of view. One of the areas in which these tensions became apparent was in cinema. As a consumer of North American films, Argentina found itself facing a series of diplomatic conflicts, the resolution. of which would imply positioning against the war. At the same time, the diplomaticaction, together with that of the State film-regulation agencies, reveal the difficultiesin enunciating a clear policy against the conflict
Art · Humanities · Political science · Cinema History and Criticism · Media, Journalism, and Communication History · Photographic and Visual Arts
| Highly cited | No |
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