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Tone quest

Exploring the (Ir)resolvable Paradoxes and Infinite (Im)possibilities of "Epic Tone" in (Rock 'N' Roll) Musical Consumption Constellations

Bibliographic Data

ID2166084
AuthorsClinton D Lanier (0000-0003-0479-5616, Department of Marketing, Opus College of Business, University of St. Thomas, St. Paul, MN, USA, corresponding author), C Scott Rader (Western Carolina University), Charles Rader (Western Carolina University)
Year2018
Volume21
Issue3
Pages255-274
Publication date2018-05-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueConsumption Markets & Culture (JOURNAL)
Journal identifiersISSN: 1025-3866 • E-ISSN: 1477-223X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10253866.2018.1447465
OpenAlexW2799298520
LanguageEN
Citations received1
References cited29

One of the driving forces for consumer-musicians in the market of rock ‘n’ roll musical creation is the quest for “epic tone” (i.e. production of a distinct and unique sound). Such tone is not the result of a single product or practice, but of a complex consumption constellation composed of a multitude of cultural processes and material factors in which the sum is often greater than the parts. The purpose of this paper is to explore how the market forces that directly impact these musical consumption constellations have exposed (and exacerbate) the inherent paradox in the quest. To help consumers create virtually any possible tone, the marketplace has increased the focus on the structural and functional components that compose these constellations, while subsequently decreasing the focus on the anti-structural and anti-functional aspects that underlie actual sound production. Consequently, the marketplace both stimulates and inhibits the (im)possible quest for epic tone

Acoustics · Aesthetics · Art · Business · Constellation · Consumption (sociology · Economics · EPIC · Focus (optics · Literature · Microeconomics · Musical · Physics · Product (mathematics · Production (economics · Tone (literature · Computer Science · Mathematics · Music History and Culture · Music Technology and Sound Studies · Musicology and Musical Analysis

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Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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