Entre sentimentalisme et romantisme
La Chaumière hongroise de Didelot (1817), ou l’émergence d’un nouvel imaginaire dans le ballet
Bibliographic Data
| ID | 21669165 |
|---|---|
| Authors | Pascale Melani (0000-0001-9684-0845, corresponding author) |
| Year | 2020 |
| Volume | 50 |
| Issue | 1 |
| Pages | 87-98 |
| Publication date | 2020-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Slavica Occitania (JOURNAL) |
| Journal identifiers | ISSN: 1245-2491 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/slaoc.2020.1284 |
| OpenAlex | W4411558759 |
| Language | EN |
Between Sentimentalism and Romanticism – The Hungarian Cottage of Didelot (1817). The Emergence of a new Imaginery in the Ballet. The Hungarian Cottage is a ballet Didelot staged in London in 1813, and then recreated in St. Petersburg in 1817. The article examines the subject, which traces a famous episode of the Rákóczi’s Revolt against the Habsburg, the context of the ballet premiere, the ideas it conveys, its reception by the public. The author tends to demonstrate that this work, which reveals a national awareness and shows the link between the fate of individuals and the fate of the nation, on the border between two eras, reveals a paradigm shift of ballet
Art · Humanities · Historical and Literary Studies · Historical Art and Culture Studies · Historical Studies and Socio-cultural Analysis · Philosophy
| Highly cited | No |
|---|