Trabzon Of İlçesinde Ahşap Vaaz Kürsüleri

Westernization, which corresponds to the last two hundred years of the Ottoman Empire, expresses the tendency of alienation and its practices in many areas; one of the areas, where that can be seen most clearly is architecture. Especially in this period when the decoration was differentiated, the buildings adapted to the dynamism that made itself felt in interior and exterior architectural elements.One of the cities where a change in style that was effective in Istanbul, the capital of the period, and then spread to all of Anatolia, was experienced, is Trabzon showing a unique development line with examples of provinces as well as urban architecture. In this article, which focuses on examining the traces of western styles on rural samples through the sermon platforms in the liturgical works group in Of district, the nine sermon platforms, reflecting the changing stylistic features, were examined in terms of their typology and decorations, and were evaluated in terms of both its period and its place in the architecture of the region. The change in the style of decoration that makes the western styles noticeable in these wooden sermons, which have been brought to architecture with two different typologies, has been provided with the intensive use of ornamental elements such as still life patterns, tulips, S-C folds, decorative arches, grape bunches, determination of the borders of the ornaments by giving them in panels or belts, and the composition of the area by blending it with geometric and herbal elements

Art · Linguistics · Literature · Cultural and Sociopolitical Studies · History and Cultural Heritage · Ottoman and Turkish Studies · Philosophy

• Belgeler Işığında Rize İkizdere Şimşirli (Komes) Köyü Camii

  Open Access•Burak Muhammet GÖKLER, Zerrin KÖŞKLÜ•Sanat Tarihi Dergisi•2023

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