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A Microcosm of American Exceptionalism

Eigth-Rocks in Ruby as Chosen People in Toni Morrison’s Paradise

Bibliographic Data

ID21677044
AuthorsPınar SÜT GÜNGÖR (0000-0003-2324-2929, MUS ALPARSLAN UNIVERSITY, corresponding author)
Year2023
Volume22
Issue4
Pages1247-1259
Publication date2023-10-20
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGaziantep University Journal of Social Sciences (JOURNAL)
Journal identifiersISSN: 1303-0094
PublisherGaziantep University Journal of Social Sciences (PUBLISHER)
DOI10.21547/jss.1336393
OpenAlexW4387797873
LanguageEN
References cited12

American exceptionalism, which has been supposed to have a divine historiography, accentuates and represents various aspects of Americanness that manifest destiny and strong challenges. Its sense of independence and moral superiority stems from the mythos that prioritizes its uniqueness and responsibility as part of its formation process. This ideology, in particular, suggests that the prior history of these people is pointed toward the “New World” in order to build and glamorize their distinctive future. This study offers an overview of the connection between the ideology of American exceptionalism and the 8-rock families, as chosen people, in Toni Morrison’s novel Paradise. Morrison, in Paradise, portrays a black immigration movement that demands a long-term imperial settlement modeled by white American society. Facing the failure of Reconstruction, her characters strive to maintain their freedom and independence through self-imposed, forceful segregation. The assumption that grounds the study, therefore, is that the 8-rock families, the founders of Ruby Town, pattern the ideological formation of American exceptionalism, despite their coal-black skin color and inferior status in cultural paradigms, by adopting a policy of racial segregation. The solidification, as in the American case, implies that self-proclaimed New Founders are responsible for building an independent and superior community that embraces the doctrines of disenfranchisement and racism in America. In addressing this reciprocity and its outcomes, Morrison has confirmed that just like good things, discrimination and ideas of superiority are learned, and Ruby residents have learned to use their skin color as a tool of domination

Aesthetics · American exceptionalism · Art · Art history · Exceptionalism · Ideology · Manifest destiny · Paradise · Political science · Politics · Racism · Sociology · American and British Literature Analysis · Gender Studies · History · Law · Postcolonial and Cultural Literary Studies · Race, History, and American Society

  • Toni Morrison's Paradise and the Politics of Community

    Open Access•Peter R Kearly•Journal of American & Comparative…•2000

  • Locating Paradise in the Post-Civil Rights Era

    Richard Schur, Richard L Schur•Contemporary Literature•2004

  • Playing in the Dark

    Open Access•Toni Morrison•Racism in America•2020

  • A City Upon a Hill

    Open Access•Thomas B Byers•American Studies in Scandinavia•1997

  • Reading and Insight in Toni Morrison's Paradise

    Linda Krumholz, Linda J Krumholz•African American Review•2002

  • Racial House, Big House, Home

    Megan M Sweeney, Megan Sweeney•Meridians•2004

  • The One All-Black Town Worth the Pain

    Katrine Dalsgard•African American Review•2001

Citation velocityhistorical
Highly citedNo

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