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“Anamorfoz” ve Çağdaş Bir Uygulayıcısı Olarak Kurt Wenner

Bibliographic Data

ID21680141
AuthorsYunus Kaya (0000-0002-6624-2884, Ankara Hacı Bayram Veli University, corresponding author)
Year2020
Volume15 Issue 2
Issue15 Issue 2
Pages1079-1099
Publication date2020-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Turkish Studies (JOURNAL)
Journal identifiersISSN: 1308-2140 • E-ISSN: 1308-2140
PublisherInternational Balkan University (PUBLISHER)
DOI10.29228/turkishstudies.42083
OpenAlexW3024871971
LanguageTR
Citations received1
References cited1

From the point of view determined by artist, the painting that determines the projection of the viewer does not allow to go beyond what is determined and projection of the image, is no different from a camera viewfinder in this aspect. However, anamorphosis can reconstruct the real image from a particular perspective and often using a material, with the optical effect it creates on the plane based on the reversible deformation of an image. Thus, it tries to offer the viewer more than just a visual because of a visual distortion that produces an illusion for the human eye. However, in the history of art, anamorphosis has not been positioned as it deserves, and the analysis of this phenomenon has been insufficiently artistic aspect. It has also been seen that what is written about it is often confusing and often incorrect. This research, in addition to the terminological, ontological and epistemological scrutiny of "Anamorphosis", as well as examining the evolution process of this form of expression with a chronological method, prioritizes deepening and confusion about this issue with previous research. The next section focuses on the similarities and differences between trompe l'oeil and anamorphosis. In the third chapter, two general types of Anamorphosis: Mirror (Catoptric) Anamorphosis and Perspective (Oblique / Stereoscopic) this research is detailed and exemplified. In the last part of this text, which consists of four parts, the subject is explained with visuals while examining Kurt Wenner, known as the inventor of contemporary anamorphosis, and "3D Street Art", which he created by synthesizing his traditional geometry (madonnari) with his own geometry. The evolutionary process of the "Anamorphosis / Anamorphic Perspective", the first examples of which we see in Renaissance, is presented by forming the general framework of the research

Humanities · Cultural and Sociopolitical Studies · Music Education and Analysis · Philosophy · Turkish Literature and Culture

  • Görüntüleme Bi̇çi̇mi̇ Olarak Anamorfi̇k Gerçekli̇k Ve Karma Gerçekli̇k Analoji̇si̇

    Mustafa Kocalan, Yunus Kaya•Sanat ve Tasarım Dergisi•2024

  • Anamorphosis and the Eccentric Observer

    Daniel L Collins•Leonardo•1992

Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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